shape, edge, structure

edge of parterre at kew


Continuing on from an earlier post on the theme of volunteering as part of the Rose and Hardy Team at Kew Botanic Garden, which includes working on the parterre in front of the extraordinary Palm House at Kew, itself a world heritage site, this is about the ‘formal’.

I think of myself as leaning into more chaotic, loose forms of gardening, so the unending control of the parterre, with the strict suppression of some growth and the manicured profusion of others, is a curious phenomenon for me.  I also find it very funny (and kind of weird) that I can be helping to maintain one of the most important and respected areas of planting possibly in the world, while having complete disinterest and indifference for the practice of lawn edging.

My self perception is that I don’t edge anything.  But here in the parterre, I have grown to understand something about that, something to do with art and gardening, and that in fact I love edges, and the practice of edging: body position, the relationship between the body and the shears, the collection of the clippings, the creation of the continuous line without snags or serrations, and everything to do with something that appears simple, but that takes learning.

edging the parterre 3















The good thing about Kew is roaming around the whole huge garden with all its different areas of focus and intent. Over and over I’m drawn back to a part of the garden that I didn’t think I would be: the Japanese garden. I am not going to go into detail here around Japanese garden design and meaning, but just to say that the structure, features, design and planting are of never-ending interest: all those edges and related shapes hold my attention, the inter-connectedness of form and content invite my mind in.  I have had to acknowledge the formality and order of the garden is at the centre of what strikes and absorbs me.  And I have returned to my task in the parterre with a different perspective: its a meditation (with clippings), an artistic process (with edges).

Here are pictures of the Japanese Garden at Kew in Spring 2011:

Japanese Garden at Kew

anenomes in japanese garden at kew

cherry blossom in japanese garden















The water: first picture in spring, the second in autumn.

water at japanese garden at kew

Japanese Garden at Kew water

About inquiline

Contemporary artist making live performance, sound, video and digital artworks, with people and places. Often nature is involved. Parks and other urban green spaces and networks are at the centre of my current research interests beside a long term general interest in the meeting points between the human and non-human.

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